That share could even grow, predicts Mitsinikos. The analyst expects the majority of the film’s international box office to come from the Asia Pacific region, where the first instalment grossed approximately 55% of its international box office. On top of headaches in the U.K., cinemas in the film’s strongest markets, like Brazil and Mexico, are only partially open, explains Hancock.ĭimitrios Mitsinikos, co-founder and CEO of London’s Gower Street Analytics, is more optimistic of “Wonder Woman’s” chances in its current December and January slots. “Normally, it would be expected to repeat the same sort of numbers, but with some countries suffering a second wave of the pandemic, this won’t happen,” says Hancock. “It performed especially well in Brazil, U.K., Hong Kong, Mexico and Australia,” says David Hancock, senior cinema manager for London-based media consultancy Omdia. It pulled in $822 million worldwide, of which half was from outside the U.S. The first “Wonder Woman” (2017) film was the highest grossing live-action film by a female director and the highest grossing superhero origin film of all time. Naturally, there are also questions about how well “Wonder Woman 1984” is expected to perform globally. will have to draw up arrangements with a number of different VOD providers around Europe. It’s believed late-stage PVOD discussions are underway with Sky, which would launch “Wonder Woman 1984” in January.Ī deal like the Sky Cinema agreement - which isn’t yet a done deal but close to getting over the line, Variety understands - makes sense given that HBO Max isn’t currently available outside the U.S. and exhibitors have agreed an unprecedented month-long theatrical window for the film, followed by a premium video-on-demand (PVOD) release, as revealed by Variety. situation is also leaving exhibitors vulnerable to the harsh market realities of pandemic times. 22 liquidity statement, the company said its base case scenario “assumes a reopening of cinemas no later than May 2021.” in early October following the delay of “No Time to Die.” In its Nov. But Cineworld, the country’s biggest operator, looks unlikely to reopen for December. In a shock move, the Mooky Greidinger-run business shut all operations in the U.S. AMC Theatres-owned Odeon will also partially reopen some sites. cinemas have been closed for one month following Boris Johnson’s circuit breaker lockdown, has opted to open 30 locations from Dec. and Ireland, Poland, Italy, Germany, the Netherlands, Denmark and Taiwan. to release other movies, which hasn’t happened, so it’s made the decision more difficult on whether to open or not,” says Tim Richards, head of European cinema giant Vue, which operates screens in the U.K. “We were hoping that other studios would come in around Warner Bros. Is it worth the cost of pulling staff off furlough programs and jumpstarting operations for one movie, only to potentially shut back down? While the most severe lockdown restrictions in these countries are set to lift in time for the release of “Wonder Woman 1984,” many businesses are questioning whether there’s enough to sustain their screens after the DC superhero has come and gone - especially given the next blockbuster release will technically be “No Time to Die” in April. Italian cinemas will stay shuttered until early January, as will Germany’s movie theaters (opening Jan. 2), at which point a tier system will see London and Liverpool cinemas allowed to reopen, while cities such as Manchester remain shuttered. European exhibitors are increasingly anxious about national lockdowns that have shuttered cinema chains in countries including the U.K., France and Germany in the last month.
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